Alfred Stieglitz is undoubtedly one of the most significant contributors to the history of photography. He contributed not only scientific and artistic photographic studies, but also introduced modern art to America and furthered the theory of photography as art.

What is equivalence in photography?

Equivalence, at its most simple, is a way of comparing different formats (sensor sizes) on a common basis. This is already the way most lenses are talked about: it’s quite common to say that a compact camera includes a ’28-120mm lens’ but the key and (often unspoken) word in that description is ‘equivalent.

What is equivalence in art?

Equivalence is a process of revealing and exploring not only our greater nature but also our connection to and unity with a greater spirit / energy field. Equivalence is a shared lived process of revelation and transformation.

Which were Alfred Stieglitz most famous photographs?

Among his most famous images are the portraits of his wife the painter Georgia O’Keeffe. Stieglitz died on July 13, 1946 in New York, NY.

What is Alfred Stieglitz known for?

Alfred Stieglitz, (born January 1, 1864, Hoboken, New Jersey, U.S.—died July 13, 1946, New York, New York), art dealer, publisher, advocate for the Modernist movement in the arts, and, arguably, the most important photographer of his time.

Why was Stieglitz important in the development of photography as an art form?

Stieglitz was a founder of the Photo-Secessionist and Pictorialist photography movements in the United States and promoted them in Camera Notes and Camera Work, the influential journals that he founded and edited. His early photographs were Pictorialist in style.

What are the equivalents and why are they important to the history of photography?

Equivalents is a series of photographs of clouds taken by Alfred Stieglitz from 1925 to 1934. They are generally recognized as the first photographs intended to free the subject matter from literal interpretation, and, as such, are some of the first completely abstract photographic works of art.

What did Stieglitz call clouds?

Soon after it became available Stieglitz aimed his 8″ x 10″ view camera at the sky and began taking pictures. By the next year he had created a series of ten mounted photographs he called Music: A Sequence of Ten Cloud Photographs (also called Clouds in Ten Movements).

Why did Stieglitz take pictures of clouds?

In an article the following year, Stieglitz maintained that these works were a culmination of everything he had learned about photography in the previous forty years: “Through clouds [I wanted] to put down my philosophy of life—to show that my photographs were not due to subject matter—not to special trees, or faces.

Why is Stieglitz important to photography?

Who was Stieglitz obsessed with photographing?

O’Keeffe
As his second wife, O’Keeffe herself realized she had a serious rival when, in the 1930s, Stieglitz took a series of photographs, some nude, of an attractive heiress named Dorothy Norman. “When I make a picture,” he once explained, “I make love.” And after making love, he liked to take pictures.

What did Stieglitz mean by equivalents?

Stieglitz called these photographs Equivalents. More than describing the visible surfaces of things, the works could express pure emotion, paralleling the artist’s own inner state. Stieglitz, along with many of the artists of his circle, argued that visual art could assume the same nonrepresentational, emotionally evocative qualities as music.

What are Stieglitz’s cloud studies?

[1] Over the next eight years, he made some 350 cloud studies, largely produced as contact prints on gelatin silver postcard stock. Stieglitz called these photographs Equivalents. More than describing the visible surfaces of things, the works could express pure emotion, paralleling the artist’s own inner state.

Why did Stieglitz choose intangible vapors as his subject?

Stieglitz’s choice of intangible vapors as his ostensible subject was telling, for the vagueness of transcendental meaning is not easily sustained by material objects.